My work moves between photography, experimental film, and an-archival practices, with a focus on marginal territories and landscapes inhabited by memory. Raised among the silences of the Calabrian Apennines and the Jonian Coast, I see walking as a method of research and relation, as well as a poetic gesture. After years of practice across Portugal, the Netherlands, and South America, I feel a strong urge to return to the Italian landscape. Working with analog film, collective processes, and the idea of landscape as a palimpsest deeply resonates with my path. I believe that observing the margins also means rethinking the centers, and I seek to contribute with a gaze nourished by memory, stratification, and drift—bringing together artistic experiences and affective geographies.
Vila Sonia, São Paulo by Jesus Da Macedônia